Take Back What the Devil Stole centers the life of an African American woman (Donna Haskins) who wrestles with structural inequality in the streets of Boston by inhabiting an alternate dimension she refers to as the “spirit realm.” While historians of religion have often dismissed such paranormal phenomena as alternate dimensions, astral flight, and telepathy as insignificant for the study of religion, I argue in the Devil Stole that these phenomena are essential to understanding religion, especially as it is practiced among marginalized women of African descent in the United States. Both ethnographic and theological, this book explores Donna’s encounters with the supernatural and her sense of multireligious belonging as she blends together Catholic, Black Baptist, and Afro-Caribbean traditions. Shedding new light on the lived religion of the dispossessed, this project examines the complexity of Black Christian women’s religious participation within a contemporary urban context of gender and racial oppression.